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"Daler
Mehndi, as a musician, performer,
and song-writer, continually re-invents
himself and his art."
The hallmark of the "Great musician's"
often lies in their ability to hone
to perfection a strong and easily
assimilated iconic, but singular image.
It may evolve slowly and surely over
the years but will always be presumed
to be a natural maturing. Daler
Mehndi, as a musician, performer and
song - writer, defined this convention
completely. He continually
re-invented himself and his art at
breakneck speed and illogical disjointedness.
It seemed as though time was always
at a premium. With complete disregard
for the then prevalent - regional-
Punjabi- music style loyalty or so
called integrity, he combined the
most unlikely forms of music with
newfound subject matter sprinkled
with his fetish for "RabRab"
(God) words, rendered with versatile
Power Pitched Vocals, performed with
exquisite choreography and character,
ornamented further with the signature
self designed Maharaja Robes, Bejewelled
Turban and Jewellery - a Style only
befitting a Maharaja presenting the
then unknown and unborn Indian Pop
Industry with its first true Pop Icon.
He deconstructs that which makes him
singular, and then a new element arises
to confound and entice the masses
who think they have just figured out
his latest incarnation. His USP was
his Originality.Mehndi exemplifies
the new aesthetic from his humble
folkie yet celebrated beginnings from
Bolo Ta Ra Ra to the glitter and glam
of the rocking Balle Balle & Jalwa,
to the pied piper rage of Tunak Tunak
, to the elegance of Ru -Ba -Ru &
Shaam Say Maine Puchha, at each twist
and turn of his career, creating more
than one myth to harken back to his
creative visions.
In the beginning...
Daler Singh was born in Patna, Bihar
on August 18th, 1967. He was born
into a family of musicians who had
been singing for seven generations.
His early influences on music are
his parents, who taught him the ragas
and Shabad's from the Guru Granth
Sahib Ji. At age 11 inspired by the
Patiala Gharana style of Indian Classical
Music, he ran away from home in search
of the Late
Ustad Raahat Ali Khan Sahib
of Gorakhpur for lessons. Gave
his first stage performance in front
of an audience of 20,000 at the age
of 13 in Jaunpur where his parents
found him standing center-stage, his
shoulders overflowing with garlands
of flowers, sandalwood and money.
Classical music of the great Indian
Maestros heard on radio, concerts
and cassettes of the legendary Bade
Ghulam Ali Khan, Nazakat Ali- Salamat
Ali, Mehdi Hasan, Parvaiz Mehdi, Chote
Ghulam Ali Khan and the Illahi Kirtan
Durbars attended all over India provided
him with an introduction into the
world of gurmat sangeet, thumri, khayal,
ghazal.
By 1991, he formed his own group comprising
of his brother's, cousins and musician
friends. Daler performed at the Who's
Who and within a year was a must have
at each socialite's do. The legendary
Impressario the Late A.J Jaspalof
IPCA who gave Daler a Professional
set up promoted Daler "as the
Golden Goose to Watch out for."
In 1994, A J Jaspal sent Daler to
compete at the prestigious annual
Voice of Asia International Ethnic
and Pop Music Contest at Azia Dynasys
in ALMATY, Kazakhstan. Daler
Mehndi representing India was judged
2nd amongst 200 contestants from world
over
by 20,000 strong audience.
He
was quoted by the judges as the 'MOST
ORIGINAL SOUND FOUND IN 3 DECADES'.
That was the first time Bhangra
Music
was acknowledged outside Punjab
(a Northern State of India) and firmly
plastered its presence on the global
scenario. Daler Mehndi saw himself
at an International setting amidst
an alien audience craving for more
and critics lapping him with accolades
and praises which provided him with
an introduction to the showy world
of Pop and mod, and
by 1995 he was Daler Mehndi, with
long flowing robes, bejeweled turban
and aspirations of stardom rustling
about his head.
Mr. Shashi Gopal of Magnasound
signed him immediately for a 3 Album
Contract for 3 years.
HISTORY
created by Mehndi -
Success followed Daler without doubt
and Indian Pop was never the same
since his advent into it. He was majorly
responsible for the elevation of the
Indian Pop Music through the Super
Success of all his albums. His innovative,
inimitable and imaginative style of
music was responsible for the elevation
of Pop Music to a degree of respectability
that it commands today. The inspiring
and refreshing mix of the classically
seeming traditional music fused with
the funky beats of the new age proved
to be a potent mixture.
"BOLO TA RA RA",
Mehndi's celebrated debut album recorded
as an entity in itself, marks the
first definitive creative stretch
for the listener. Daler's fusion of
rustic lyrics, seemingly easy sing
along tunes, fused with just the right
element of western instrumentation
are often referred to as the birth
point of Bhangra Pop, and certainly
the auspicious beginnings of glam
- Global Bhangra Pop can be traced
back here.
BOLO
TA RA RA changed the perception
of the Music Industry by selling over
20 million copies. The album that
was targeted at the regional audience
of Punjab sold
a record 2.5 Lakh units in Kerela
alone within 25 days of its release.
DALER MEHNDI became the SOUND
OF THE NATION. The album not only
established Daler as a POP
STAR but also laid the foundation
for Bhangra pop to emerge at what
it is today. Bolo Ta Ra Ra won him
the Channel V's Best Indian Male Pop
Artist Award. A year later, his second
album under Magnasound
"DARDI RAB RAB" further
created stir in the nation and shut
up his critics who had called him
a 1 Album success. This Album superseded
the sales of Bolo Ta Ra Ra. Again
this year he was nominated in 3 different
categories and won the prestigious
Channel V Best Indian Male Artist
Award.
In 1997 with his third album "BALLE
BALLE" he created a HATRICK
OF SUPERHITS and was christened "DOLLAR
MEHNDI" by the media.
This album got him Channel V Awards
in 6 different categories. Magnasound
and the Country declared him "SUPERLATIVE".
There was more to come; With
titles like "The
Turbaned Tornado", the "Sultan
of Swing" conferred on
him by the International press, Daler
was set to take Bollywood by storm
and gave the Indian Film Industry
with an anthem "NA
NA NA RE" for the film "Mrityudata".
Composer, performer Daler Mehndi
featured on the Big Screen with the
legendary Mr. Amitabh Bachan. Daler
had the Music Industry gripped in
Mehndi Mania. It was also the year
when India celebrated its 50 years
of Independence, with "50-50
PHATTE CHAK DEYANGE",
Daler paid his tribute to the country
by rendering a truly befitting track.
Again
in 1998, The "Badshah
of Bhangra" gave
yet another hit the next year, titled
"TUNAK
TUNAK". It
became famous as the pied piper track
and its music video which was conceptualized
by Mehndi in retaliation to the media's
comment that the success of his videos
depend only on the glam models featured
in the videos, with 4 Daler Mehndi's
and exquisite choreography done by
himself the song and the video became
an instant HIT, such was the craze
of the song that people across the
globe are being enchanted by him to
this day. -for India it was the first
ever music video using the Blue Screen
technology. Tunak Tunak won the prestigious
RAPA
Award, the Channel V Award, The Videocon
Award, The Screen Award.
Such was the craze of Daler that almost
every movie, T.V serial or commercial
started emulating him as a person
or his style or his songs and tunes
to copy the success he was relishing.
Right from dressing like Daler, singing
in Punjabi and greeting with Balle
Balle became a trend. Even during
the election campaign, various political
parties ran their campaigns on tunes
of his hits to capture the attention
of common man. 1998
was certainly the year that Mehndi
began to get a glimpse of the power
of the pop.
The superhit POP track is famously
revered by the Classical musicians
of India and Pakistan especially for
the intro of the song sung by Daler
firmly showcasing his classical prowess.
1998 Daler launched the "DALER
MEHNDI GREEN DRIVE" and within
a span of 3 years planted 6Lakh saplings
in New Delhi. DM Green Drive was inducted
in the Special Task Force of the Delhi
Govt.
The same year he was signed up for
another movie "Khauff"
featuring the Bollywood siren Raveena
Tondon. The song composed by Daler
"ANKH
LADTI HAI" became a rage
at the clubs and Daler's dream to
have the prodigal Asha Bhosle sing
one of his compositions came true.
Daler and Asha Bhosle duet further
embossed his supremacy in music.
1998 was an eventful year of his career,
not only was Daler topping all the
music charts which was now a routine
for all his albums since his debut
Bolo Ta RA Ra days, Daler Mehndi had
become a Brand. He was by now the
most expensive Artist and performer.
He was signed by Coca Cola to
counter Pepsi's Bollywood Brigade
for a whooping record deal, which
made History. Daler Mehndi was Coca
Cola's Brand Ambassador and the Jingle
sung buy Daler for Coke with the signature
Daler Mehndi choreography became a
rage. Daler was taken for a 30 city
Tour of India with each city having
more than 50 thousand to a Lakh of
Audience creating hysteria. The same
year Daler dropped another bombastic
track "KUDIYAN
SHEHR DIYAN" for the film
titled "ARJUN PANDIT" featuring
the chirpy Juhi Chawla. The song is
still a must play at all weddings,
and clubs and the chart busters were
enough to help the producers have
their cash registers running.
Daler's musical journey was creating
waves through his Tour's abroad. USA
tasted the Mehndi Mania during the
Blast 98 Tour. The Press was dizzy
with his energetic performances. One
journalist mesmerized with the Bhangra
King's performance went to the extent
of writing on record "HE
IS ALL THAT
HE IS BIGGER THAN
THE BEATLES" (Home News Tribune).
Post the Singapore concert;
one journalist went onto write, "If
Daler's legs found a lawyer they would
sue his pants off them. That's the
way Daler jigs around so frantically
that it is almost infectious, like
a ballerina on steroids."
Daler Mehndi Concert Tours in USA,
Canada, Australia, New Zealand, UK,
Europe, UAE, South Africa, East Africa,
Oman, Bahrain, Malaysia, Pakistan,
Hong Kong, Singapore, West Indies,
Belgium, Holland to name a few have
had crowds swooning to his music and
dancing away to glory as one fan fondly
describes his music "the stairway
to Heaven". Such
is the persona of the man that when
he is performing live before a cheering
mob, none can resist exercising their
sweat glands with him. On stage he
is electricity personified. The press
quoted his Malaysian concert as "Bigger
than that of Michael Jackson's"
Daler apart from weaving his musical
magic had set another rage that of
his costumes.
From Bollywood Actors, to kids,
grown ups, to foreigners all were
aping his signature long flowing robes,
he was also responsible for adding
glamour to the Sikh "Turban",
he made 'colorful turbans, a trend.
In
1999, he received the Elle Style Award
for the Most Stylish Music Artiste.
The Millennium had Daler Mehndi jiving
with his young fans dressed like him
in the Delirious "EK DANA"
album. Mehndi's magic worked but this
was also the year Daler paid the price
for his meteoric rise. Courting controversies,
the Album outsold its predecessors
and is to this date his highest selling
album on the net. Daler's world tour
with the then reinging Bollywood Actress
Karishma Kapoor in 2000 was bigger
than his
Past tours. The breakneck speed at
which he was garnering success and
fame was exhilarating .
2001 Daler signed with Universal Music.
Ever experimenting Daler gave India
a new rocking track "KAALA KAUWA
KAAT KHAYEGA". The Album "Nabi
Buba" had Arabic influences.
Daler's
musical wanderings were evident with
the varied flavors from across the
world, aesthetically and soulfully
entwined with his rustic nuances of
Indian folk music. 2002
with "Nach Ni Shaam Kaure"
Daler seemed reticent.
2003 Daler forayed into playback singing
for Films. He started with the famous
and soulful Ru- Ba- Ru for the critically
acclaimed "Maqbool", Vishal
(Film and `Music Director of Maqbool)
and the legendary Gulzar were mesmerized
by Daler's rendition of their song.
The same year Daler and A.R Rahman
finally came together to give a rocking
track "Nach Lae" for Lakeer
(Directorial Debut of the ace Choreographer
Ahmed Khan)
He fused Rock with Bhangra with his
next album- under his own Label
titled
"Mojaan Laen Do" and then
2004 was a year when a much needed
freshness came into the stagnant music
industry with the self produced superhit
"SHAA RA RA" . The
same year he was featured in the coveted
international TIME MAGAZINE- the only
Indian singer to have been featured
in the magazine.
Daler the man behind the star- Genuinely
Daler Singh Mehndi
Daler since his childhood was a prankster
par comparison.
A hard-core aficionado of the Almighty,
he is a firm believer in His grace
and faith. Right from childhood, he
believed in the Being of the omnipresent
and as a devout follower waited for
His grace as it came. Daler's firm
belief and his hard work is what made
him the Badshah Of Indipop today.
Daler became the one with the largest
shadow to loom over the Indian Music
Industry When
asked where he would like to be now,
after being at the helm- "Sacchkhand"
the feet of the Almightyis his final
destination. Affectionately addressed
as Dalerji and Daler pahji (elder
brother) in the industry, the burly
Sardarji wears the title with humility
and grace.
An optimist, hard working and sensitive
human, far from hatred, with a aim
to spread happiness all around, with
a clear vision and expression for
all, receptive to every emotion, a
lover of Mother Nature and a staunch
disciple of God is what Daler Singh
is when he is not Daler Mehndi-The
Badshah Of Indipop.
For Non- Asians, Daler is the famous
Tunak Tunak Man, the Burly smiling
Sardarji of long flowing robes, diamonte
turban, symbolic KICK ASS step and
creator of HAPPY MUSIC.
Daler Mehndi is a man with a definite
mission: nail the charts by unleashing
million-selling albums. Loose-limbed
warbler and lord of crowd-pleasers,
his fame is widespread and popularity
so huge there is no way you wouldn't
have heard of the king crooner, who's
rightfully credited with making bhangra
beats as hot as baalti meat and curry
round the globe. Forceful, fearless,
frank, flirtatious and always fuelled
up for something new, Mehndi's route
map to musical monarchy is well trodden.
In his own words "This is not
the end of the journey that he started
as an impetuous, precocious and impressionable
five-year-old. 'This is just the beginning
there is a long way to go before I
leave a mark
' musing over his
own words as if in prayer."
One can find him an optimist, hard
working and sensitive human, far from
hatred, with a aim to spread happiness
all around, through his music with
a clear vision and expression for
all, receptive to every emotion, a
lover of Mother Nature and a staunch
disciple of God is what Daler Singh
Mehndi is when he is not Daler Mehndi-THE
BADSHAH OF INDIPOP.
SOME
QUOTES CONFERRED BY MEDIA ON MR. MEHNDI
Source - THE HINDUSTAN TIMES, INDIA-
24 NOV 1990, PRATIK GHOSH.
India's leading Newspaper profiles
Daler Mehndi as "An Aureate Voice",
"He possesses a voice soaked
in melody that lends his personality
an aura of respectability bordering
glamour". - This is written of
him 5 years before the launch of his
debut Pop Album 'Ta Ra Ra Ra'
Source:
THE NEW PAPER, 20TH AUGUST 1999, RAHUL
PATHAK
INDIA'S Bhangra King Daler Mehndi
bounced all over the stage here last
weekend. Rahul Pathak saw the show
and is still catching his breath.
"If Daler Mehndi's legs could
find a decent lawyer, they'd sue the
pants off him. It's not fair not fair
what he does to them
.But
Mehndi's defence would be that I did
it in Public Interest. The joy was
infectious. You just feel happy, giddy,
dizzy."
Photo
Caption: Daler Mehndi moving like
a ballerina on steroids.
1995
Daler Mehndi's first album is launched:
"BOLO TA RA RA RA" India's
first true POP Album as the critic's
address it .The album put Bhangra
Music a stronger acknowledgement world
over. Even the Music Company was shocked
and realized that it wasn't a regional
product. The Album sold 200,000 copies
within a week of its launch in the
South of India-Kerela, where people
don't speak Hindi (the National language
of India), leave alone Punjabi-one
of the 15 languages of the multilingual
country. This created History. The
album broke all records- in terms
of music, sales figures, performance,
presentation
ALL.
1996 Daler Mehndi's second album is
launched: "DARDI RAB RAB"
Critics crowned him the Undisputed
King of Bhangra. From that moment
onwards Daler Mehndi was responsible
for the elevation of the Indian Pop
Music through the continuous success
of his albums up to this day.
1996 The same year Daler Mehndi is
invited to France - Paris, and performs
for European Audience exclusively,
at the Annual TAM TAM Festival, France
With not a single Indian or Asian
present in the audience, such was
the charisma of his singing that the
promoter was forced by the European
audience for a repeat performance
of Daler Mehndi. He performed Twice
at the same venue for a bigger audience
at the next performance in the same
day.
1997 The Bollywood Icon AMITABH BACHAN
ropes in Daler Mehndi for a duet act
in his comeback vehicle MRITYUDATA.
"NA NA NA NA NA RE" further
etches the name Daler Mehndi as a
PRODIGY with an insight of music,
a preceptor of the audience's demand
and a hot seller.
1997
Daler Mehndi releases his THIRD BLOCKBUSTER
'HO JAYEGI BALLE BALLE"
Such
was the paraphernalia of the album
that any International Star performing
in India-would use the phrase "Balle
Balle" to communicate with the
audience. Daler Mehndi of the long
flowing robes and the bejeweled turban
with his signature hand movements
and power pitched vocals had conquered
the hearts of legions of fans.
The only Indian Artist to have given
4 consecutive Hits year after year
each surpassing the sales of its predecessor.
Each different and unique in terms
of compositions, vocals, music, rhythm,
videos.
MAGNASOUND renews its Contract with
Daler Mehndi with a whooping amount
of 2.5 Crores. The Biggest amount
ever paid to an Artist. DALER CREATES
HISTORY AGAIN.
Some
Quotes
Shashi
Gopal, Chairman and Managing Director
of Magnasound (India) Ltd. comments
at 15/6/98, Press Conference. (Magnasound
Mega Deal):
"It has been an astounding price,
yes, but only to tell people that
Indian Artists are worth that much
and more and that, if Latin American
artists can take over the world, why
not Indian Musicians? Daler is a very
high worth artist too".
"We are delighted to have Daler
on our Roster. With his talent, pizzazz
and deep conviction in his music,
Daler has reached the highest echelons
of Indian Pop. Daler's music is on
a different plane altogether. The
rest of Bhangra Pop exponents are
good but Daler towers above all of
them. We are proud about being credited
for the discovery of this volcano
of extraordinary talent".
"Daler is a committed Artist.
He has done three original albums
with us, all three are major hits.
We are not showing off. We are just
showing our commitment towards Daler".
21/6/98,
Mid Day (Mumbai).
'The mix of classically
traditional music and rhythm fused
with western instruments, rendered
with Daler's versatile, power pitched
vocals performed with exquisite choreography
and character, ornamented further
with the signature Maharaja robes,
Bejeweled Turban and Jewelery - a
Style only befitting a Maharaja: You
encounter Success'. Daler's sheer
presence and powerful vocal skills
have moved large audiences. His Musical
Success has crossed all barriers of
age, race and language forming a "GLOBAL
KIND OF MUSIC".
1999 This Crystalline jewel further
embossed his supremacy in music, particularly
in the film industry, with other two
jazzy numbers "Kudiyan shehar
Diyan" in the film 'Arjun Pandit'
and "Ankh Ladti Hai to Ladne
de" in the film Khauff"
"Daler Mehndi straddles the classes
and the masses," says Channel
V's Head of music and artiste relations,
Mandar Thakur. He refers to Daler's
reaction to a universal audience,
be it at a swank five star hotel or
at the Railway Stadium in Moradabad-
Daler gives them what they want and
they in turn love him. Billboard's
Jim Bessman recently wrote about Daler
Mehndi in the 25th September'99 issue:
"So compelling is today's Bhangra
beat, in fact, that it is transforming
the entire Indian pop music scene,
thanks to the commanding vocal presence
of Daler Mehndi, the Home News tribune
of New Jersey dated Monday, March
22nd '99 proclaimed him thus: HE IS
ALL THAT. DALER IS BIGGER THAN THE
BEATLES" Fredrick Kaiman.
2000 Daler's venture "EK DANA"
has within 1 week of its launch sold
more than 750,000 units in the Northern
India alone. "Pied Piper, rewriting
his own career to emerge as a spiffing
new icon for his millions of fans"
written by a renowned columnist. |