Born
on August 18, 1967, into a family
of musicians, Mehndi is the typical
lion-hearted Leo. That is why his
mother, Sardarni Balbir Kaur, herself
a Prabhakar in music, named him after
the character of a dacoit, Daku Daler
Singh, played by the legendary Prem
Nath in a movie she saw much before
he was born. In fact, an astrologer
had told Msehndi's mother that she
would beget a son whose name would
start with the letter D and that he
would do well as a musician. The moniker
Mehndi, of course, came much later
when elder brother Amarjeet suggested
the name after listening to the soulful
Pervez Mehndi of Pakistan.
True to his name, the mischievous
Mehndi would sneak into his mother's
lap during the paath, render a shabad
and go back to his playing. There
began his first coaching in the nuances
of music by the doting parents who
were sure their little one was naturally
gifted. That was also the reason why
his parents, unlike others from the
baby boomer generation, never pressured
him into studying for a conventional
profession. Nor did they pull him
up for running away from home to Jaunpur,
where he was tracked down performing
live in front of a 10,000-strong mela
crowd.
All of 11, his neck overflowing with
garlands of flowers, sandalwood, currency
notes and hold your breath, singing
songs against the then government's
'forced contraception'
First
Step
After
years of intense training and having
honed not only his vocal skills, but
also learnt the tabla, harmonium and
tanpura, the mellifluous Mehndi moved
to Delhi along with his family in
1983, and mounted his professional
career, initially singing ghazals
inspired by the poetry of Qateel Shifai
and Firaq Gorakhpuri. Gradually, however,
he moved towards pop after realising
people wanted him to pack more beats
and not just sit on stage banging
merrily on a harmonium. Thanks to
his musical pedigree, it didn't take
him long to devise his unique style
of singing and live performances.
Indisputably Punjabi in both language
and rhythm, Mehndi's new avatar boasted
of energetic dhol beats, strings wafting
in and out, a groove to die for and
the superstar crooning along like
the only 'un. Music to return repeatedly.
Folksy yet in accord with modern times.
Simply said, it sounded like nothing
before or since.
Forming his own group in 1991, it
was not long before he had the whole
of Delhi swinging to his tunes. Not
just the pulsating music and foot-tapping
numbers, the powerhouse performer
had people talking about his sense
of style: the quintessential diamante-studded
pug and the flowing robes inspired
by the wardrobe of Baba Ala Singh,
sipahsalar of Maharaja Ranjit Singh.
Three years after constituting his
band, Mehndi emerged as the most sought-after
and popular performer at Almaty, Kazakhstan,
where he won the Second Prize at the
Azia Danysy Festival, 1994. It was
also the year when Magnasound was
quick to realise his multi-platinum
potential. It not only signed him
for a release next year, but such
was his pre-release popularity that
the label gave Mehndi top billing!
Soon, the entire sub-continent resounded
with just one note _ Bolo Ta Ra Ra
Ra! Yes, the Sardar from Patna, had
hit the bull's eye, not in his second,
not in his third, but in his very
first attempt at Punjabi pop.
The
Big Movement
The nation screamed for
more, bhangramuffins went berserk and people all over the world were
succumbing to the Mehndi mania, which had only begun. Bolo Ta Ra Ra
Ra's opening lines _ Gadey te na chadhdi, gadheeray te na chadhdi
_ could be heard across the country, channels loved him and Mehndi
debuted on Times FM's Indipop 10 on number 2, climbing to the top
spot in two weeks and remaining on No.1 a whopping six months! The
reign on the chart lasted over a year. Besides undisputed worldwide
sales, in the Malayalam-speaking Kerala alone, the album sold more
than 1,00,000 copies!
Mehndi's next, Dardi Rab Rab Kardi, turned out to be an even bigger
hit than Bolo Ta Ra Ra.
Giving two superhits within a span of as many years, that too, non-film
music, established Mehndi as the undisputed Pasha of Indipop. Once
again, the high-spirited singer had brought joie de vivre back with
an album packed with eight of his trademark pacy numbers. He was also
the only Asian artist chosen to perform at the Tam Tam Festival, 1996,
in France, an international trade fair for music industry professionals,
where he thrilled all those present with his dynamic performance.
It was in the wake of the stupendous success of the albums that spawned
a whole lot of balle balle brigade and basement bhangra caught on
as the latest buzzword for music and dance masti. And with his third
Ho Jayegi Balle Balle, too, selling more than four lakhs in just over
a month of its release, the guy's fame was thrust into top gear. So
much so that it became difficult for the music company to play down
Daler's popularity.